I transcribed this 10 years ago, when I knew a lot less than I
do now about how Renaissance polyphony typically worked, and the
facsimile has a rest at the very beginning that makes no sense at
all, and throws everything off.
Thanks to Sarah Mead, I now have it corrected, so if you've
ever downloaded it and wondered how anyone could have written
anything so dumb, download it again -- it's a nice piece.
It's actually the middle part of a three part song, and I have
some pending corrections to the first part that someone wrote me
two years ago when I was in the throes of dealing with the Rogers
estate, but maybe I'll get to them now.